Victoria Stanton

I can’t write about the last performance I saw Sylvie Tourangeau do without acknowledging that I won’t really write about the performance she did. It’s not the detailed picture that interests me, nor is it (I believe) where the power of this work resides. It is in the invisibility of pre-performance research and the methodology that Tourangeau deploys. It is in the effects of the piece as a whole and the conversations I had with her after seeing it. …Read complete article here (EN) or here (FR). Featured image: Sylvie Tourangeau, Vastes petites manoeuvres (2022); Photo by Manoushka Larouche.